Caorle, Italy


Caorle, Italy

(Source:, via standart-e)


Glass sculptures by Ben Young.


Takashi Iwasaki

(via etsy)


Amy P. was recently on The Approval Matrix, and was asked about the difficulties the “modern man” face. 

Her response was perfect.

(gif via amypoehler, article via micdotcom)

(Source: amypoehler, via professoralbusdumbledore)

(Source: tramampoline-trambopoline, via professoralbusdumbledore)

(Source: ferni-r, via jaredtomas)

(via h-o-r-n-g-r-y)


Powerful ad. 

Every country in the world should start making ads like these. 

For an Indian ad about women, virginity and 2nd marriage 

(via aclockworkwhoreange)

"I can’t accept that. I can’t accept that there was only one black woman in the entire film, who delivered one line and who we never saw again. I can’t accept that the bad guys were Asian and that although in China, Lucy’s roommate says, “I mean, who speaks Chinese? I don’t speak Chinese!” I can’t accept that in Hercules, which I also saw this weekend, there were no people of color except for Dwayne Johnson himself and his mixed-race wife, whose skin was almost alabaster. I can’t accept that she got maybe two lines and was then murdered. I can’t accept that the “primitive tribe” in Hercules consisted of dark-haired men painted heavily, blackish green, to give their skin (head-to-toe) a darker appearance, so the audience could easily differentiate between good and bad guys by the white vs. dark skin. I can’t accept that during the previews, Exodus: Gods and Kings, a story about Moses leading the Israelite slaves out of Egypt, where not a single person of color is represented, casts Sigourney Weaver and Joel Edgerton to play Egyptians. I can’t accept that in the preview for Kingsman: The Secret Service, which takes place in London, features a cast of white boys and not a single person of Indian descent, which make up the largest non-white ethnic group in London. I can’t accept that in stories about the end of the world and the apocalypse, that somehow only white people survive. I can’t accept that while my daily life is filled with black and brown women, they are completely absent, erased, when I look at a TV or movie screen."

Olivia Cole - Lucy: Why I’m Tired of Seeing White People on the Big Screen  (via 5ft1)

(Source: whatwhiteswillneverknow, via 5ft1)

(Source:, via awkwardvagina)

(Source: prideforgirls, via ron-weasley)

Here’s my attempt at saving water for the Ice Bucket Challenge nomination!
💦😁 I’ve donated to

Here’s my attempt at saving water for the Ice Bucket Challenge nomination!

💦😁 I’ve donated to




comedy central is getting better and better at finding people for this kind of stuff

(Source: sandandglass, via ron-weasley)



why test on animals when there are prisons full of rapists

because the prisons aren’t actually full of rapists

the rapists run free and the prisons are full of people charged with weed possession

(via ron-weasley)


Horror stories about Muslim misogyny have long been used by western patriarchs to justify imperialism abroad and sexism at home. The Guardian’s Katharine Viner reminds us about Lord Cromer, the British consul general in Egypt from 1883. Cromer believed the Egyptians were morally and culturally inferior in their treatment of women and that they should be “persuaded or forced” to become “civilised” by disposing of the veil.

"And what did this forward-thinking, feminist-sounding veil-burner do when he got home to Britain?" asks Viner. "He founded and presided over the Men’s League for Opposing Women’s Suffrage, which tried, by any means possible, to stop women getting the vote. Colonial patriarchs like Cromer … wanted merely to replace eastern misogyny with western misogyny." More than a century later, the same logic is used to imply that misogyny only matters when it isn’t being done by white men.


Laurie Penny, “This isn’t ‘feminism.’ It’s Islamophobia.” (via octoberchan)

(Source: cuddlyklaine, via 5ft1)